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 violin concertino - need feedback
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davemann2002
New Member

6 Posts

Posted - 03 March 2010 :  10:59:07 PM  Show Profile  Email Poster  Reply with Quote
Hello!

I am a horn player, but I am also very interested in writing my own music. Now I am writing a violin concertino. It is actually my first "serious" composition. Because I am still new at this, any comments from your side would be more than welcome.

You can listen to an excerpt (and also see the score) at this link: http://www.youtube.com/watch?v=2OHcG4v_6-g

Thank you!

"What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven." L. van Beethoven

whack47
Bronze Member

USA
54 Posts

Posted - 05 March 2010 :  01:04:41 AM  Show Profile  Email Poster  Visit whack47's Homepage  Reply with Quote
I like the contrary motion at 1:45 and 2:29. The melody is a bit unrelenting at times. Maybe mix it up with parts that aren't so melody driven.
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davemann2002
New Member

6 Posts

Posted - 05 March 2010 :  04:40:59 AM  Show Profile  Email Poster  Reply with Quote
Whack47, thank you, I'll try to make some changes you suggested... As I said, composing is something new to me and any comment is very helpful. Thanks for not being too harsh. ;)

"What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven." L. van Beethoven
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qccowboy
Platinum Member

Canada
1842 Posts

Posted - 05 March 2010 :  05:54:07 AM  Show Profile  Email Poster  Visit qccowboy's Homepage  Reply with Quote
Dave, I don't mean to be "harsh", so please don't take it that way. I'm certain you worked very hard on this piece. However, I found it unidiomatic in writing. It feels like it could have just as easily been a piece for trombone as for violin. Bring it down an octave or two and it fits perfectly. There was nothing that set the music aside as being "hey, this piece is for violin!".

I didn't find the melody "unrelenting". I found it a bit dull. Too square.

I don't know what your musical background is other than that you say you play horn... so why not write a piece for horn? Surely, as a horn player, you would be best placed to understand what it is you would want to perform?

I understand that when we start composing it's tempting to launch into these huge projects (and adding "-ino" to the end of the word "concerto" doesn't make it any less huge), but as a teacher, I highly recommend that you start with something more within your immediate grasp.

"Writing music to be revolutionary is like cooking to be famous: Music’s main function is not revolution. – Alan Belkin "

"String Quartet: noun. a good violinist, a bad violinist, an ex-violinist, and someone who hates violinists, getting together to complain about composers."


Michel R. Edward
compositeur
Crabtree, Québec

www.dosblanc.ca
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davemann2002
New Member

6 Posts

Posted - 05 March 2010 :  06:45:15 AM  Show Profile  Email Poster  Reply with Quote
Michael, every critique is welcome from my side, as long as it is constructive.

I don't understand what do you mean with unidiomatic... There are a lot of compostions written for cello that can be played on horn (from composers such as Handel)...

I know that the mellody is a bit dull, as you put it, and I am already working on it. I'm also changing some harmonics to make it a little more interesting.

I don't think that adding -ino makes it any less big, but I chose the title as I'm not planning on writing a classic concerto.

P.s.: My background is that I am a medical student and I am also studying horn at the conservatorium for music. I chose to write something for the violin because my girlfriend (violin player) asked me to. ;)

"What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven." L. van Beethoven
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